Omar Sharif

The Yellow Rolls-Royce (1964)

The Yellow Rolls Royce 1964

The Yellow Rolls-Royce follows the journey of a single yellow Rolls-Royce as it changes ownership three times and the role it plays in all their lives. The Rolls-Royce is originally purchased by Charles (Rex Harrison), the Marquess of Frinton as an anniversary gift for his wife Eloise (Jeanne Moreau). It’s their tenth anniversary, so he wants to get her something truly special. Unbeknownst to him, Eloise has been having an affair with another man. Charles is enthusiastic about horse racing and dreams of winning a big title, but when the day of the big race comes and his horse comes in first, Charles’ day is tainted by catching Eloise together with her lover in the brand new Rolls-Royce. He isn’t about to divorce her; it wouldn’t look good. However, he does sell her new car.

Next, the Rolls-Royce is bought by gangster Paolo Maltese (George C. Scott) as a gift for his girlfriend Mae (Shirley MacLaine), who are on vacation in Italy. Not long after they buy the car, Paolo has to leave to tend to some “business,” so he has his associate Joey (Art Carney) to take her out and keep an eye on her. Mae is bored of Italy, but her trip gets a little more interesting when she meets photographer Stefano (Alain Delon) and falls in love with him. Joey allows their affair to carry on, but when the news of Paolo’s “business trip” (a brutal murder) makes headlines, he feels the need to remind her of who she’d be dealing with if she left. Although she loves Stefano dearly, she reluctantly decides to leave with Paolo.

The third owner of the Rolls-Royce is Gerda Millett (Ingrid Bergman), a wealthy American woman taking a trip in Europe, who decides to buy the car on a whim. She meets Davich (Omar Sharif), who is looking to get back into Yugoslavia, to avoid a Nazi attack. She reluctantly agrees and isn’t happy about being involved, until she realizes just how serious the situation is. After getting a taste of what the Nazis are capable of, Gerda becomes active in smuggling people to safety. She works very closely with Davich and the two begin to fall in love, but they realize they can do more good for the cause by working apart than they can together.

The Yellow Rolls-Royce has a similar concept to The Earrings of Madame De…, a story about how an object finds its way to different owners. While I really liked The Earrings of Madame De…The Yellow Rolls-Royce didn’t do anything for me. The only story I found interesting was the one with Ingrid Bergman and Omar Sharif, but since that was the last chapter, that wasn’t enough to redeem the movie for me. The first two stories didn’t hold my interest at all. The movie is full of great stars, but none of them are at their best. It’s one of those movies that made it hard for me to muster up any reaction stronger than, “meh.”

More Than a Miracle (1967)

More Than a Miracle PosterSpanish prince Rodrigo Fernandez (Omar Sharif) could have his choice of any princess his mother (Dolores del Rio) wants him to marry, but Rodrigo refuses to have anything to do with them. One day, he meets a magical monk and when Rodrigo explains who his ideal woman is, the monk gives him a sack of flour and a donkey. He is to find a woman who will make him seven dumplings with the flour and the donkey is to take him to her. As he rides along on the donkey, he meets the beautiful peasant Isabella (Sophia Loren). Isabella detests him, but he can’t resist her beauty and convinces her to make him the dumplings.

However, she gives him six dumplings, not seven — she ate the seventh one herself. To teach her a lesson for disobeying her, he plays dead, attracting the attention of the neighbors, then suddenly vanishes. In an attempt to bring him back, Isabella gets some help from some local witches, who create a spell for her. But when Isabella tries to cast the spell, she doesn’t do it right and instead casts a spell that paralyzes him and can only be broken with a magical kiss.

The prince’s guards find Isabella and bring her to the palace to break the spell and even though they have both fallen in love with each other, he still punishes her by sealing her in a barrel and sending her out to sea. That’s not enough to stand between, though, and Isabella is rescued by some children who help her get back to the palace. She gets in by working as a maid, but Rodrigo is under more pressure than ever to get married within seven days and to pick a bride, there will be a competition between the princesses. Rodrigo disguises Isabella as a princess and arranges a dishwashing competition, figuring she’d be a shoo-in to win. But when a rival sabotages Isabella’s plates, Isabella is about ready to end it all when she’s encouraged to make one last attempt to be with her true love.

More Than a Miracle isn’t a particularly noteworthy movie, but I enjoyed it just because it’s very different from the types of movies I typically go for and I was really craving something different today. It’s a cute movie; a pretty standard fairy tale fantasy story with some comedy thrown in for good measure. A pleasant little diversion that’s purely entertainment for entertainment’s sake. It’s certainly not one of the best movies Sophia Loren, Omar Sharif, or Dolores del Rio (who I was pleasantly surprised to see; until now, I don’t think I’d seen anything she made after Flying Down to Rio) ever made, but for what it is, there are far worse ways to spend a little over an hour and a half.