Harold Lloyd

The Freshman (1925)

Harold Lloyd The Freshman

More than anything else, Harold Lamb (Harold Lloyd) dreams of being able to go away to college and be a big man on campus. He works hard to be able to go to Tate College,  but since he’s not the coolest guy in town, he decides to see a movie called “The College Hero” over and over again and takes notes on everything the main character does. Once his parents see some of the things Harold is planning to do, like doing a jig anytime he meets someone new, they know this isn’t going to end well.

Once Harold arrives at Tate College, his behavior does make him popular, but for all the wrong reasons. He quickly becomes a target for other students to pick on and Harold’s tendency to try to buy popularity doesn’t do him any favors. The only real friend he has is girl named Peggy (Jobyna Ralston), who he had met on the train to Tate and just happens to be his landlord’s daughter. She sincerely has a crush on Harold for the person he really is, not the person he tries to be.

Eventually, Harold realizes that if he really wants to be popular, he needs to get on the football team. Of course, Harold’s try-out is a complete disaster, but the coach admires his persistence and when one of the team’s most popular players suggest they make him the team’s water boy and let him think he’s a replacement, the coach goes along with it. Thinking he’s made the team, Harold tries taking another step up the social ladder by hosting the school’s Fall Frolic, but the night ends up being another disaster when his tailor isn’t able to have his suit ready on time. Since his suit is only held together with very loose stitches, the tailor has to secretly keep stitching him back up throughout the night. Then things get even worse when Harold and a popular student get into an argument over Peggy and Harold finds out how the other students really see him.

But when Tate College is playing in a big football game, Harold finally has a chance to earn the popularity he’s always wanted. The players on the other team are so strong, all of Tate’s players are forced out of the game because of injuries. Harold is eager to get in the game, but the coach hesitates until he has no other choice. After he finally gets in the game, Harold nearly loses the whole game, but he manages pull through in the end.

I absolutely despise football, but watching The Freshman is one of the rare occasions I will gladly watch something football-related and have a darn good time doing so. Harold Lloyd is an absolute genius and The Freshman is one of his best movies. He was so perfect at playing sincere, likable, but kind of dorky characters; he had it down to a fine art. Not only is Lloyd’s performance excellent, it’s full of absolutely hilarious jokes but still has a lot of heart to it. This is everything a good silent comedy should be. The Freshman is an absolute delight, plain and simple. If you’re just starting to get into silent films and are looking for some movies to help you get started exploring silent comedy, The Freshman is one I would very highly recommend.

Ten Little Things I Love About The Graduate

The first moment we see Mrs. Robinson at the party.

Mrs. Robinson The Graduate

She looks so utterly lost and alone even though she’s surrounded by friends, just like Benjamin.

The Robinsons’ bar area.

The Graduate Mrs. Robinson

Mrs. Braddock’s poolside outfit.

Mrs. Braddock The Graduate

Although I’m sure that jacket would cause some really unfortunate tan lines.

The beads of sweat on Benjamin’s forehead when the clerk at the hotel desk asks if he’s there for an affair.

Benjamin Braddock The Graduate

Alice Ghostley!

Alice Ghostley The Graduate

This shot.

Benjamin Mrs. Robinson The Graduate

Mrs. Robinson’s leopard print coat.

Mrs. Robinson The Graduate

“Oh, it’s not. It’s completely baked.”

Benjamin Braddock The Graduate

Richard Dreyfuss!

Richard Dreyfuss The Graduate

The fact that Harold Lloyd was an advisor for the final sequence of the movie, which was inspired by his movie Girl Shy.

Benjamin Braddock Elaine Robinson The Graduate

The Pink Panther, Silent Films, and Me

Pink Panther Title Card

Like so very many people, I spent a good amount of my childhood watching cartoons.  I remember being fond of Bugs Bunny and Woody Woodpecker, but my favorite was definitely the Pink Panther.  Oh, did I ever love the Pink Panther!  In my book, he was the funniest of the cartoon characters I watched and I loved that aura of coolness he had.  And perhaps I’ve always had a soft spot for the stylish animation and Henry Mancini music.

But as I got a bit older and the cartoons were being shown on television less frequently, I ended up taking a break from my old friend the Pink Panther.  I didn’t re-discover the Pink Panther until just a few years ago when I bought a DVD collection of Pink Panther cartoons.  When I started watching them, my first reaction was, “Oh, it’s wonderful to be seeing these again!” My second reaction was, “Wow, no wonder I grew up to be a big silent film fan!”

Even though I’d been a silent film fan for years by that point, it had never occurred to me that all those Pink Panther cartoons I watched as a kid may have helped lay the foundation for me to appreciate silent film comedians like Charlie Chaplin, Buster Keaton, and Harold Lloyd.  But in hindsight, it makes perfect sense.  Although the Pink Panther speaks in a couple of cartoons and some cartoons feature narration, most Pink Panther cartoons are short silent films very similar to the short films Chaplin and Keaton made early in their careers.

Several Pink Panther cartoons like The Pink Phink and Pink Pajamas feature scenarios I can easily imagine Chaplin or Keaton having a lot of fun with.  We Give Pink Stamps in particular is Chaplin-esque to the extent that I would love to know what, if any, thoughts Chaplin had about it.  One setting Chaplin saw a lot of comedy potential in was department stores, which he put to great use in 1916’s The Floorwalker and 1936’s Modern Times.  Not only is We Give Pink Stamps done in the same spirit as those Chaplin films, it also has some jokes that I’m sure Chaplin would have loved to do himself if only they weren’t impossible for a human being to do, even with special effect trickery available at the time.

A popular topic amongst classic movie fans is which movies do you show to somebody to get them interested classic movies.  Silent movies are always tricky because so many people are married to the idea that silent movies are the most dull, creaky, strange, and antiquated movies you can possibly watch.  But if you’re looking to turn someone on to silent films, particularly children, why not start with some Pink Panther cartoons?  Their stylish mid-century look really disguises the fact that they are basically silent films and might be a good way to lead in to some Chaplin, Keaton, or Lloyd.

Congratulations to True Classics on four years of blogging!

Congratulations to True Classics on four years of blogging!

What’s on TCM: May 2013

Humphrey Bogart in High SierraHappy May, everyone!

Rather than have just one Star of the Month for may, there will actually be several.  Every Tuesday night this month, TCM will be spotlighting some of cinema’s greatest tough guys, so that includes people like Bogart, Cagney, McQueen, and Robinson, just to name a few.

Friday Night Spotlight will be back with Illeana Douglas as the guest co-host.  Illeana has chosen the theme of “Second Looks.”  All of the movies she’s chosen weren’t particularly well-received when they were first released, but she thinks they’re deserving of a second chance.  I agree with several of her selections and since I’m all about those hidden gems, I’m really looking forward to seeing some of her other choices.

If you’re a Harold Lloyd fan, mark May 23rd on your calendar because TCM will be playing his feature movies and short films all night long, the vast majority of which have never been shown on TCM before.

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What’s on TCM: April 2012

Happy April, everybody!  TCM has a pretty fun schedule this month, but it’s organized a little differently than usual.  Usually things like the Star of the Month nights get one night each week.  But this month, those nights are all in one week from Monday to Friday.  Doris Day is the April Star of the Month so her movies will be on every night from April 2-6.  TCM will also be doing a spring break week this month from April 16-20, so every night will be fun, beachy movies like Gidget and Frankie and Annette Beach Party movies.  Now, onto the schedule:

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Live Post: The Debbie Reynolds Auction

Even though I’m broke and can’t afford to actually bid on anything in today’s auction, there’s so much amazing stuff up for sale today that I can’t resist trying to follow the auction as best I can.  So I figured I’d try my hand at live blogging and cover the auction the best I can as it happens.  I’m not going to cover every single item up for sale, but I’ll try to keep you updated about some of the more noteworthy items.  So stay tuned, sit back, relax, and live vicariously through other people who can afford to spend insane amounts of money on movie memorabilia.  And I’m just putting it out there right now: I would not be even remotely surprised if Hugh Hefner buys Marilyn Monroe’s white dress from The Seven Year Itch.  A million dollar absentee bid has already been placed on it, so it will definitely be sold for at least that much today.

If you want to follow along with the auction live, just go here, click on “Live Bidding”, then click the option to just watch the auction. There is a live video stream, but no audio.

Updates:

Note – The selling prices I list here don’t include the buyer’s premium.  If you see articles about Judy Garland’s Wizard of Oz test costume selling for more than a million, that source factored in the buyer’s premium.

3:12 PM – The first lot, a 1915 35mm Bell and Howell camera just sold for $32,500!

3:16 PM – Rudolph Valentino’s matador suit from Blood and Sand just went for $210,000.

3:19 PM – Mary Pickford’s headpiece from Dorothy Vernon of Haddon Hall went for $3,250.

3: 21 PM- Francis X. Bushman’s charioteer helmet from 1925’s Ben Hur sold for $30,000!

3:26 PM – Harold Lloyd’s suit and hat went for $4,000!

3:34 PM – Mary Pickford’s gown from The Taming of the Shrew sold for $17,000.

3:36 PM – Lots 17 and 18, both Douglas Fairbanks costumes from The Taming of the Shrew sold for $20,000 and lot 18 didn’t sell.

3:38 PM – One of Charlie Chaplin’s infamous hats went for $110,000!

3:40 PM – A Model T used by Laurel and Hardy sold for $32,500 and a pair of their suits went for $16,000.

3:42 PM – Carole Lombard’s gown from No Man of Her Own sold for $11,000.

3:47 PM – Claudette Colbert’s Cleopatra gown went for $40,000.

3:52 PM – Greta Garbo’s gown from Anna Karenina also sold for $40,000!

3:53 PM – Harpo Marx’s hat and wig went for $45,000!

4:10 PM – Lots 42, 43, and 44 are the paintings commissioned by Marion Davies and respectively went for $10,000, $11,000, and $17,000.  These really got the bidders going.

4:17  PM – W.C. Fields’ joke box sold for $35,000.

4:39 PM – Norma Shearer’s purple gown from Romeo and Juliet went for $20,000.

5:04 PM – Now we’re into stuff from The Good Earth and people went nuts for some of the furniture!  The pair of chairs went for $20,000, the opium bed for $20,000, two Paul Muni robes for $4,000 each, Luise Rainer’s shirt for $2,000, the lot of stands and other furniture for $3,500, and Luise Rainer’s jacket for $3,000.

5:13  PM – A gown worn by Norma Shearer in Marie Antoinette and Lucille Ball in Du Barry was a Lady sold for $11,000.

5:44 PM – Oh, now we’re into a busy bunch of lots!  First up was Marlene Dietrich’s outfit from “The Boys in the Backroom” number in Destry Rides Again, which went for $8,000, one of Judy Garland’s test costumes from The Wizard of Oz went for $910,000, a test pair of the ruby slippers sold for $510,000, an extra’s jacket from the Emerald City scenes of the Wizard of Oz sold for $22,500, Clark Gable’s dressing robe from the production of Gone With the Wind went for $10,000, and Basil Rathbone’s famous Sherlock Holmes caped overcoat sold for $50,000!

5:54 PM – Vivien Leigh’s suit from Waterloo Bridge sold for $16,000.

6:09 PM – Gary Cooper’s military uniform from Sergeant York went for $55,000.

6:16 PM – A couple of costumes worn by James Cagney in Yankee Doodle Dandy, the satin jockey shirt went for $27,500 and the clown outfit sold for $15,000.

6:19 PM – Not so fast, Louis!  A suit worn by Claude Rains in Casablanca sold for $55,000!

6:53 PM – Took a dinner break and missed another busy bunch of lots!  Elizabeth Taylor’s riding outfit from National Velvet went for $60,000, Judy Garland’s “Under the Bamboo Tree” dress from Meet Me in St. Louis sold for $16,000, Judy’s dress from the snowman building scene in Meet Me in St. Louis went for $10,000, Gene Kelly and Frank Sinatra’s sailor suits from Anchors Aweigh went for $27,500 and $15,000 respectively.

7:00 PM – $22,500 for Joan Crawford’s waitress uniform from Mildred Pierce and $5,000 for Ann Blyth’s Mildred Pierce suit.

7:05 PM – Edmund Gwenn’s Santa suit from Miracle on 34th Street just sold for $22,500.

8:12 PM – The gold lame dress worn by Ginger Rogers in The Barkleys of Broadway went for $8,000.

8:51 PM – The chiffon robe worn by Vivien Leigh in A Streetcar Named Desire sold for $18,000.  Then it went into a bunch of items from An American in Paris with Leslie Caron’s peacock dress from the fantasy ballet number for $15,000, Nina Foch’s white halter gown from a party scene for $3,000, and a showgirl costume from the Stairway to Paradise number for $1,100.

9:05 PM – We have reached the Singin’ in the Rain part of the auction.  First were the green and white checked suits worn by Donald O’Connor and Gene Kelly, $8,000 and $14,000 respectively.  Jean Hagen’s Marie Antoinette-esque dress sold for $5,500 and Gene Kelly’s period costume went for $9,000.  Debbie’s green and white leaf print dress went for $15,000, Gene Kelly’s jacket from the Broadway Melody Ballet number went for $6,500, Jean Hagen’s black and white fur coat went for $6,000, Donald O’Connor’s “Good Morning” suit didn’t sell, Cyd Charisse’s white Broadway Melody Ballet outfit for $7,000, and Debbie’s “Good Morning” dress went for $27,500.  A pink dress worn by Gwen Carter sold for $3,750, and a bunch of costumes from the “Beautiful Girl” montage brought $5,500.

9:22 PM – Now we’re getting into some of the Marilyn Monroe and Marilyn-related items.  First up is Marilyn’s red “Two Little Girls from Little Rock” dress from Gentlemen Prefer Blondes, which brought $1.2 million!  Then came the feathered hat worn by Jane Russell when she impersonates Loreli Lee in Gentlemen Prefer Blondes, that sold for $4,250.  Lauren Bacall’s wedding dress from How to Marry a Millionaire went for $8,000 and the car used by Marilyn and Cary Grant in Monkey Business sold for $210,000.

9:48 PM – A lot of two safari outfits worn by Grace Kelly in Mogambo sold for $47,500.  A Winchester rifle used by Clark Gable in Mogambo brought in $15,000.

10:00 PM – A couple more from Marilyn Monroe.  The gold dress from River of No Return went for $510,000 and her costume from the “Heat Wave” number in There’s No Business Like Show Business brought in $500,000!

10:52 PM – After a little break, we’re back with the dress everyone’s been waiting for — the infamous Marilyn Monroe white subway dress from The Seven Year Itch.  I fully expected bidding to be out of control for this one and I wasn’t disappointed.  It brought in an astonishing $4.6 million!

11:03 PM – Now we’ve got a couple from To Catch a Thief.  A coat worn by Cary Grant brought in $15,000 and an outfit worn by Grace Kelly earned a jaw dropping $450,000!

11:41 PM – A couple of dresses worn by Deborah Kerr in An Affair to Remember brought in $6,000 and $11,000.

12:17 AM – One of Lana Turner’s dresses from Peyton Place sold for $4,250.

12:22 AM – Lot number 407 is rather unique because it includes things worn by both Kim Novak and Rita Hayworth in Pal Joey.  It went for $6,500.

12:29 AM – Leslie Caron’s iconic plaid schoolgirl outfit from Gigi went for $65,000.

12:40 AM – Charlton Heston’s tunic and cape from Ben Hur could have been yours for the low, low price of $320,000!

1:32 AM – Marlon Brando’s naval outfit from Mutiny on the Bounty just brought in $90,000!

2:12 AM – Elizabeth Taylor’s famous headdress from Cleopatra went for $100,000 and Richard Burton’s tunic, cape, and sword brought in $85,000.

Oh, who cares what time it is anymore?  Yes, I’m still going!  Aren’t these people tired and broke yet?!  Janet Leigh’s yellow fringed dress from Bye Bye Birdie fetched $3,750 and Bette Davis’ blood stained dress from Hush, Hush…Sweet Charlotte sold for $11,000.

Another big item to watch tonight was Audrey Hepburn’s Ascot dress from My Fair Lady.  I fully expected it to exceed the $200,000-$300,000 and it sure did.  It went up to $3.7 million!

I would say that the hills are alive with the sound of music, but at this time of night, I’m pretty sure that’s a noise ordinance violation.  Julie Andrews’ guitar went for $140,000, her jumper from the “Do Re Mi” number for $550,000, her turquoise and green dress for $45,000, the peasant dress went for $42,500, and a pair of the Trapp children’s outfits sold for $35,000.

And at long last we have reached the Barbara Streisand part of the auction.  First from Funny Girl is her costume from “I’d Rather Be Blue” for $65,000, a lot of the other roller skating costumes for $2,500, the black velvet dress from “My Man” for $16,000, a bunch of stuff worn by the Ziegfeld girls in the “His Love Makes Me Beautiful” number for $7,500, Anne Francis’ silk dress for $1,800, and Kay Medford’s beaded shawl for $1,400.

A jacket worn by Robert Redford in Butch Cassidy and the Sundance Kid brought $8,500 and a dress worn by Katharine Ross went for $16,000.

And back to Streisand.  The purple Hello, Dolly dress went for $55,000 and the gold dress for $100,000.  Surprised the gold dress went for that little, that’s how much it cost to make that dress back in the day.

You’ll be fascinated to know that a shirt worn in the cinematic masterpiece known as Grease 2 sold for $475.

We have finally made it to the final segment of posters/portraits!  The title cards for Blind Husbands fetched $2,000, the lot of three Gloria Swanson title/lobby cards sold for $1,200, the portrait of Gloria Swanson went for $8,500, the lot of two Mabel Normand lobby cards for $800, the pair of silent title/lobby cards for $1,600, the lobby card for Lon Chaney’s The Penalty for $1,700, and the lobby card for Chaplin’s The Idle Class for $1,600.  The portrait of Jean Harlow went for $11,000!

Now it’s high time I called it a night!  Good night everybody!

The Real Hollywood Tough Guys (And Ladies)

In the 100+ year history of film, a lot of actors have wound up with tough guy images.  Mention tough guys to classic film fans, you’re probably going to hear a lot of James Cagney, Bogart, and Edward G. Robinson.  If you were to talk to someone more into modern movies, you’d probably get Jean-Claude Van Damme, Bruce Willis, and Vin Diesel.  Personally, I’d be hard pressed to call any of them the toughest actors of all time.  To me, I think the most unsung tough people in film history have got to be silent film actors.  Seriously, you  had to be pretty tough and fearless if you were going to make some of the most beloved movies from the silent era.  I’m pretty sure if anyone went up to Bruce Willis and told him to do some of the things that a lot of silent film actors had to do, he would say, “You have got to be kidding me.”  Now, let’s take a moment to appreciate what all these fine actors had to endure.

Harold Lloyd lost his thumb and forefinger when a prop bomb he was holding accidentally exploded.

Dolores Costello liked to refer to 1928’s Noah’s Ark as “Mud, Blood, and Flood.”  In the documentary series “Hollywood: A Celebration of the American Silent Film,” she recalled going to her dressing room on set one day and finding a very bandaged extra leaning outside of her door.  When she asked if she could help, he explained that an ambulance would come back for him since he was in better shape than most of the other extras.  A couple of extras were killed while filming the flood scene.

While filming the finale of Greed in Death Valley, director Erich von Stroheim insisted on actually filming in Death Valley.  In August.  Jean Hersholt had to be hospitalized after he lost 27 pounds from being in such extreme heat.

Lillian Gish’s hands really took a beating on sets.  While filming The Wind in the Mojave Desert, Lillian burnt one of her hands when she touched a doorknob in the 120 degree heat.  Earlier, when she was filming the famous ice floe scene in Way Down East, her right hand was permanently damaged from being left in the icy water for so long.

While making 1919’s Male and Female, Thomas Meighan carries a leopard that had recently killed a man in the zoo it was in.  Basically, Cecil B. DeMille said, “Hey, don’t put that leopard to sleep!  Let’s give it to Thomas Meighan instead!”  There is another famous scene in that movie of Gloria Swanson with real, live lions, which she insisted on doing herself.

And last, but certainly not least, there’s Buster Keaton.  I don’t think anyone loved doing stunt work more than Buster.  He insisted on doing his own stunts in all of his greatest silent movies.  Famously, he broke his neck while filming the water tank scene in Sherlock, Jr. but didn’t even know it until a long time after the fact.  The most famous scene of his entire career is probably from Steamboat Bill, Jr., where he stands in front of a house and the entire front side of the house falls down around him, but he happens to be standing where a window is.  That stunt involved a lot of precision because if his position was off by just a couple of inches, he would have been killed.  When Buster was signed to MGM, one of the things that upset him most was that MGM wouldn’t let him do his own dangerous stunts anymore.  And this is why I consider Buster Keaton to be the toughest guy to ever get in front of a movie camera.