Alice Brady

Gold Diggers of 1935

Gold Diggers of 1935 (1935)

During the summer months, the Wentworth Plaza is a popular destination for wealthy people to beat the heat. Among them is Mrs. Prentice (Alice Brady) and her daughter Ann (Gloria Stuart). Although Mrs. Prentice has more money than most people could ever dream of having, she’s notorious for being an absurdly cheap penny-pincher. She also wants Ann to marry T. Mosley Thorpe (Hugh Herbert), an older but very rich man who is an expert on snuffboxes. Thorpe is not Ann’s type at all and she desperately wants to have some fun.

Finally, Mrs. Prentice agrees to let her have some fun by hiring Dick Curtis (Dick Powell) to be her escort for the summer. Although Dick is engaged to Arline (Dorothy Dare), she approves of the idea since the money is good. Dick and Ann have a lot of fun together (and enjoy running up Mrs. Prentice’s bills), and it isn’t long before they fall in love with each other.

Meanwhile, Mrs. Prentice is at work organizing her annual show to raise money for the Milk Fund. She ends up hiring Nicoleff (Adolphe Menjou) to direct the show, but she doesn’t realize that he’s working with other people to make the show as lavish and extravagant as possible so they can get more money out of Mrs. Prentice.

Simply put, Gold Diggers of 1935 pales in comparison to 42nd Street, Footlight Parade, or Gold Diggers of 1933. It’s not like the basic plotlines of those movies are anything complex, but the plot of Gold Diggers of 1935 feels paper-thin in comparison. I also really missed stars like Joan Blondell, Ruby Keeler, and Ginger Rogers; although Alice Brady clearly has a field day hamming it up as the wealthy cheapskate.

But, since this is a Busby Berkeley movie, Gold Diggers of 1935 features some truly stunning musical numbers. Although 1935, on the whole, is really weak compared to his big hits of 1933, Busby Berkeley was still bringing his “A” game to the musical numbers. In terms of ambition and creative vision, he really outdid himself. No one is expecting anyone to honestly believe these numbers could actually be done on a real stage, but they’re an extravagant feast for the eyes. “The Words Are in My Heart” number with all those pianos is simply breathtaking and calling “The Lullaby of Broadway” a musical number almost feels like it’s selling it short; it’s more like a short film unto itself.

In Old Chicago 1937

In Old Chicago (1937)

While the O’Leary family is traveling to Chicago to find a new life, the family patriarch is killed in an accident, leaving his wife Molly (Alice Brady) to make the trip alone with her two young sons Jack (Don Ameche as an adult, Billy Watson as a child) and Dion (Tyrone Power as an adult, Gene Reynolds as a child). When the family finally arrives in Chicago, Molly starts building a reputation for being an excellent laundress right away. Her laundry business helps her provide a good life for her sons. Jack got a good education and becomes a lawyer. Dion, on the other hand, takes the less respectable route in life and becomes a gambler who falls in love with saloon singer Belle Fawcett (Alice Faye), who his mother does not approve of.

Eventually, Jack sets his sights on having a career in politics and Dion has gotten involved with the unscrupulous politician Gil Warren (Brian Donlevy). Naturally, their different paths in lives cause a great deal of tension between the two brothers. All of their animosity comes to a head the night of the big Chicago fire of 1871. Jack, who has just been elected mayor of Chicago, is blamed by some of Dion’s cohorts who think Jack is trying to run them out of town and go after him. Meanwhile, Jack is trying to control the fire, only to have his efforts interrupted by Dion’s colleagues. But when Dion finds out what’s going on, can he save his brother?

I really wanted to like In Old Chicagmore than I did. Since I liked Alexander’s Ragtime Band, which also starred Tyrone Power, Alice Faye, and Don Ameche, I had high hopes In Old Chicago, but I much preferred Alexander’s Ragtime Band. The cast wasn’t bad and its production values are very high, but the basic plot is nothing new and framing it around the great Chicago fire didn’t make it any more interesting for me. But the fire scenes were, indeed spectacular. Even with stars like Power, Faye, and Ameche, the real stars of In Old Chicago are the effects specialists who planned the fire scenes. On the whole, it’s not a terrible movie,  just one I was indifferent about except for the fire scenes.