After dedicating her new home for blind children, Lydia MacMillan (Merle Oberon) gets a surprise visit from her former lover Michael Fitzpatrick (Joseph Cotten). Lydia is an elderly philanthropist who, despite having some grand romances in her lifetime, never married and had children of her own. Instead, she dedicated her life to helping blind children. The reunion soon grows to include her other past loves, Bob Willard (George Reeves) and Frank Andre (Hans Jaray). She hasn’t seen any of them in years and they naturally start reminiscing about their times together.
Michael first met Lydia when she was a young girl living with her wealthy grandmother Sarah (Edna May Oliver). His father was the family’s butler at the time and when Michael, then a recent med school graduate, comes to visit, Sarah gives him a job as the family physician. Lydia likes Michael and gets him to escort her to her first ever formal ball. However, it’s immediately clear to Michael that she really loves football player Bob Willard (George Reeves). Sarah is extremely unimpressed with Bob, but Lydia nearly elopes with him.
After her failed relationship with Bob, Michael heads off to war and Lydia has a chance encounter with a blind child. Seeing the deplorable conditions the child lived in, she was inspired to start a school for blind children. The school is her true passion in life and she’s willing to sacrifice love for it if she has to. However, she does fall in love with Frank, a blind pianist who comes to teach at the school. The only man she comes close to marrying is Richard Mason (Alan Marshal), who she was met to marry one New Year’s Eve, but Lydia is left standing at the altar.
The heartbreak of being left by Frank drives Lydia to accept a proposal from Michael, but she calls it off after the death of her grandmother, preferring to focus on helping blind children instead. All the reminiscing makes Lydia realize that she meant something different to each of the men in her life.
When I decided to write about Lydia today, I didn’t have terribly high expectations for it based on the 6.6 stars it currently has on IMDB. However, I was pleasantly surprised. A little slowly paced, but there were moments that I loved. The movie’s finest moment is when Lydia is reminiscing about walking into her first formal ball and how breathtaking it all was for her. It’s a wonderfully dreamlike sequence that is made even greater when it’s juxtaposed against Michael’s less-rose tinted recollections of the same ball. The story may not be particularly unique, but I liked Merle Oberon and Joseph Cotten enough for it to be worth watching just for them.