Tag Archives: Mickey Rooney

Requiem for a Heavyweight (1962)

After seventeen years in the ring, Louis “Mountain” Rivera’s (Anthony Quinn) career as a boxer comes to an end after being knocked out by Cassius Clay.  Rivera has reached a point where he could go blind if he continues to fight so he’s left with no other option but to find a new job.  But finding a job is easier said than done.  Rivera has a sixth grade education and has no skills other than boxing.  The years of fighting have taken a toll on his appearance and speech and many places won’t hire him because he’s too big to fit into their standard size uniforms.  He heads off to an employment agency, where he meets Grace Miller (Julie Harris).  She’s moved by his story arranges an interview for him to be an athletic director at a summer camp.

When Rivera retired from boxing, he wasn’t the only one out of a job.  His trainer Army (Mickey Rooney) and manager Maish Rennick (Jackie Gleason) also found themselves jobless.  Army is supportive of Rivera’s retirement, but Maish is in desperate need of some money to pay off some gamblers.  Before Rivera’s last fight, he had told notorious gambler Ma Greeny (Madame Spivy) that Rivera would go down early.  So when he lasted longer than expected, she lost a lot of money and she wants it back.  Maish knows a promoter who wants Rivera to get into wrestling and Maish sees this as a way to get the money he needs.  He talks to Rivera about it, but Rivera is ready to move on and work at that camp.

Just before Rivera is supposed to interview for the camp job, Maish takes him out to a bar and gets him completely drunk so he won’t be hired and will have to take the wrestling gig.  The plan works, but when Rivera sees himself in the humiliating wrestling outfit he’s supposed to wear, he doesn’t want to go out like that.  But then the truth about Maish comes out.  Even though Rivera and Army want nothing to do with Maish anymore, Rivera knows Maish could be killed if he doesn’t do the match.  So Rivera lets go of his last shred of dignity and does the match while Army stands off to the side, unable to watch his friend humiliate himself.

I absolutely loved Requiem for a Heavyweight. This is a movie that really grabs your attention right off the bat and doesn’t let it go until the very last frame.  Requiem opens with a tracking shot of bar patrons listening to the fight, then it cuts to a shot from Rivera’s point of view during the match.  We see Cassius Clay (who plays himself) as he knocks Rivera out.  We see what he sees as he is helped out of the ring and led back to his dressing room, his vision blurring all the way.  It all leads up to the big moment when Rivera catches a glimpse of his battered face in the mirror.  It’s hard to do point-of-view shots and not have it come off as gimmicky, but the way it’s used here is really powerful and totally unforgettable.  In fact, this may be one of my absolute favorite movie opening sequences.

There are plenty of movies out there about boxers, but it was interesting to see one that really focused on what it’s like to be a boxer who can’t box anymore.  There’s Raging Bull, which focused on both the rise and the fall of Jake LaMotta, but Requiem is just about the fall.  It’s such a raw, honest and completely heartbreaking movie with an incredible cast.  Anthony Quinn was absolutely perfect as Rivera and Mickey Rooney was excellent as Army.  Since I know Jackie Gleason primarily from comedies, it was very interesting to see him playing such an awful person.  And with the first-rate direction by Ralph Nelson, Requiem for a Heavyweight is easily one of the best boxing films out there.

Beast of the City (1932)

Jim Fitzpatrick (Walter Huston) seems to be living the all-American dream life.  He’s got a wife, children, a nice home, a good job as a police officer, and a close relationship with his brother and fellow cop Ed (Wallace Ford).  Jim takes his job very seriously, especially when it comes to putting an end to organized crime.  When the bodies of some gangsters are found, Jim immediately suspects that notorious gangster Sam Belmonte (Jean Hersholt) is the one responsible.  Sam gets off the hook easily that time, but Jim is determined to come down on him hard.

Jim’s dedication eventually ends up working against him, though, and it gets him transferred to a smaller, quieter district.  Ed, however, continues to keep tabs on Belmonte and one night goes to question Daisy Stevens (Jean Harlow), Belmonte’s stenographer.  She tells Ed that she’s through with Belmonte and the two of them spend the evening getting drunk together and begin having an affair.  Meanwhile, Jim proves to be such a success at his new precinct when he stops a bank robber that he is made chief of police.  Back at his old precinct, Jim’s top priority is breaking up organized crime and starts shutting down speakeasies left and right.  However, he is also determined to not give any officers any unfair advantages.  When Ed asks for a promotion so he could have more money to take Daisy out with, Jim turns him down.  Later that night, he goes out with Daisy and they end up running into Belmonte.  Belmonte gives Ed the chance to earn some extra money by fixing it so he can get his illegal goods into town without getting caught.

The next day, Jim tells Ed that he will be in charge of escorting a large transport of cash.  When Ed tells Daisy about this, she tells one of Belmotne’s associates and they plan to steal the truck.  Daisy tells Ed about the plan and convinces him to go along with it.  The big heist goes down, but unbeknownst to Ed, the truck has been followed by two other officers who chase the thieves down.  When questioned at the station, one of the thieves admits that Ed was in on it, too.  The case goes to trial, and shockingly, all who were involved are found not guilty.  Ed desperately wants to rebuild his relationship with Jim and sever all ties with Belmonte.  Knowing that Belmonte and his gang are all out celebrating their court victory, Ed agrees to go confront Belmonte with Jim and several police officers backing them up.  Of course, Belmonte isn’t willing to go down without a fight and insists on going out in a hail of gunfire.

Beast of the City is a great crime movie.  Super gritty and raw with excellent performances all around (be sure to keep an eye out for a very young Mickey Rooney in a small part as one of Jim’s children).  It’s kind of like The Public Enemy, but from the cops’ perspective.  With so much grit and violence, y0u might think this was a Warner Brothers film, but surprisingly, it was produced by MGM.  That big shoot-out scene at the end of the film was definitely not something you would typically expect of a 1930s MGM film.  Especially since Irving Thalberg didn’t work on it and he was the one who pushed through a lot of MGM’s edgier films during that era.  This movie actually came about when Louis B. Mayer wanted to do a movie that created a positive image of police officers, but then it ended up being so violent that he refused to let it be the top feature in double features, it could only be the second film.  But Beast of the City is definitely top-feature quality.

I picked this one to write about for The Scarlett Olive’s For The Boys blogathon because it’s the complete antithesis of the 1930s MGM women’s picture.  When MGM wanted to appeal to women, they put Norma Shearer, Joan Crawford, or Greta Garbo in the lead.  They’d have Adrian come up with some fabulous gowns and have some handsome leading man for them to wind up with.  The last way those movies would end is with a violent bloodbath.  Beast of the City doesn’t really have any female characters for women moviegoers to identify with.  Jean Harlow’s character isn’t exactly the kind of person women would be rooting for.  It doesn’t have a love story, it’s ultimately about the relationship between two brothers.  These aren’t even the kind of men that women would sit in the audience and swoon over.  Although I think women could easily enjoy it, I certainly did, it’s pretty clear that they weren’t expecting women to be lining up for it in 1932.

Be sure to visit The Scarlett Olive for more on movies that mainly appeal to men, be sure to pay them a visit for more contributions.

What’s on TCM: December 2010

December can only mean one thing: Christmas movies galore!  Up this month are plenty of traditional Christmas classics along with a few off-beat ones that will certainly please fans of Mystery Science Theater 3000.  In addition to that, every Thursday in December, TCM will be saluting living legend Mickey Rooney by playing 24 hours of his movies, including every Andy Hardy movie and all his pairings with Judy Garland.  Speaking of living legends, a new episode of Private Screenings will be premiering this month featuring Liza Minnelli.  To celebrate, TCM will be taking two nights to showcase some of the best movies by Liza, Judy, and Vincente.  This month’s guest programmer is Eli Wallach, who has made some very stellar choices.  Fans of John Wayne will be glad to hear that on December 22, there will be 24 hours of nothing but John Wayne.  When New Year’s Eve rolls around, why not bid 2010 adieu with Cary Grant movies all day and Marx Brothers movies all night?  And to top it all off, the final two installments of the Moguls and Movie Stars series air this month on the first two Mondays and Wednesdays.

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My Top 100, 90-81

Welcome to week two of counting down my top 100 favorite movies!  This week is a pretty eclectic bunch of movies.  There are a lot of lighthearted favorites, a couple of mysteries, some from the “I don’t usually like this kind of movie, but…” file, and even a few of my modern favorites.  So, let’s get to number 90…

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What’s on TCM: September 2010

I Hope everyone had fun with Summer Under the Stars 2010!  I know I sure did.  I saw a lot of great stuff for the first time and I’ve still got lots to catch up on.  September feels a little slow in comparison, but there’s still some great stuff coming soon.  Vivien Leigh is the star of the month, so you know there will be lots of great movies featuring her this month.  In addition to Vivien, fans of Kim Novak and Mickey Rooney will have a lot to look forward to.  Thursday nights are dedicated to looking at films with the theme of revenge.  Anyone with an interest in Mexico or Mexican films will be interested in TCM’s celebration of the 100th anniversary of the Mexican revolution.  All of this month’s TCM Import selections for this month come from Mexico, plus a night of movies about Pancho Villa, in addition to a few other selections.  Now, onto the highlights:

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