Tag Archives: Lillian Gish

1928-1929: Oscar’s Most Awkward Year

Mary Pickford Oscar

Mary Pickford with her Oscar.

As popular as the Academy Awards are, they can be a very controversial topic amongst movie lovers.  I think virtually every cinephile has their own list of movies that they think got robbed at the Oscars.  Some may even have their favorite and least favorite Academy Award years.  But one thing I think we can all agree on is that the nominees for the second Academy Award ceremony (covering 1928-1929) definitely weren’t the strongest group of movies ever nominated.

It’s not so much that 1928-1929 was a completely terrible year for movies, but the film industry had been turned completely upside down that year.  During the first Academy Award ceremony, The Jazz Singer was given an honorary award for revolutionizing the film industry.  By the following year, the impact of The Jazz Singer was undeniable.  The movies eligible for the 1928-1929 Oscars were part of the first wave of movies to come out in the wake of The Jazz Singer and the nominees that year are a better reflection of how in flux the industry was at the time than what the best movies really were.

Even though studios were scrambling to hop on the talkie bandwagon, the production of silent films didn’t come to an immediate halt.  Some truly excellent silent films were produced that year, but you’d never know it by looking at the list of nominees.  However, if some of those silent films had been nominated, that year would probably now be looked back upon more favorably.

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The Wind (1928)

Letty (Lillian Gish) leaves her life in Virginia behind to live on her cousin Beverly’s (Edward Earle) ranch in Sweet Water, Texas.  While on the train to Texas, she meets Wirt Roddy (Montagu Love), who lives near Beverly’s ranch.  All the wind in Texas is making Letty very nervous and Roddy tells her the wind often drives women out there crazy.  When she gets to the train station, she’s met by Beverly’s neighbor Lige (Lars Hanson).  Lige takes her to Beverly’s ranch and he likes her a lot, but Letty doesn’t like him at all.

Letty has no problem fitting in with the community.  She and Beverly are very close, his children love her, and  Sourdough (William Orlamond), Lige, and Roddy all want to marry her.  The only person who doesn’t like her is Beverly’s wife Cora (Dorothy Cumming).  Cora is extremely jealous of how close Beverly and Letty are and how much her children like her.  When Roddy, Lige, and Sourdough each declare their feelings for Letty, the only one she thinks is serious is Roddy.  With all these proposals Letty’s getting, Cora orders Letty to accept one and get out of her house.  She tells Roddy that she’ll marry him, but then he tells her he’s already married.  Lige and Sourdough flip a coin to decide which one will marry her (how romantic) and Lige wins.

Lige really does love Letty, but Letty still doesn’t feel the same way and yells at him when he tries to kiss her.  He promises not to touch her again and works to get enough money to send her back to Virginia.  In the meantime, she continues living with them, even though the strong winds in the area are grating her nerves.  When Lige leaves with some other cattlemen, Letty begs him to let her come with him because she needs a change of scenery.  He agrees, but along the way, she gets hurt and is brought back home.  Before too long, an injured Roddy is also brought home for Letty to care for.  He tries to go after her, but luckily Lige comes back in the nick of time.  Lige needs Roddy’s help rounding up some horses, so they head off, leaving Letty alone.  That night, there is a severe wind storm that drives Letty into madness.

The Wind is my favorite Lillian Gish movie.  It showcases exactly what made her so perfect for silent films.  She could convey such a deep inner turmoil using only her eyes.  Lillian called the production of The Wind the most uncomfortable movie set she’d ever been on (she famously burned her hand on a door handle while filming in the Mojave Desert), but her performance certainly didn’t suffer at all.  And I can’t neglect to mention the overall atmosphere of the movie. All the wind and the camerawork paired with Lillian’s performance make The Wind something you experience, not something you simply watch.  The only reason I can’t call it perfect is because I hate the happy ending MGM insisted on tacking on to it.  Lillian hated that ending too, and even said so herself in an introduction TCM includes when they show it.  But even with the forced ending, The Wind remains one of the last truly great films made during the silent film era.

What’s on TCM: August 2012

How is it already time for another round of Summer Under the Stars?!  As usual, TCM has done a great job of coming up with a nice blend of stars who are no strangers to the SUTS schedule and stars who have never been featured before.  The more I look at the schedule, the more excited I get to start my Blogging Under the Stars marathon.

Some of the days I’m most looking forward to are: Myrna Loy (August 2), Marilyn Monroe (August 4), Toshiro Mifune (August 9), Ginger Rogers (August 12), James Cagney (August 14), Lillian Gish (August 15), Jack Lemmon (August 22), Gene Kelly (August 23), Kay Francis (August 21), and Warren William (August 30).  I have seen woefully few Akira Kurosawa films, so I am really looking forward to Toshiro Mifune’s day.  As a fan of silents and pre-codes, I was thrilled to see Lillian Gish, Kay Francis, and Warren William got spots on this year’s line-up.  Lately, I’ve been really getting into Tyrone Power movies, so I’m glad to see he got a day this year.  And since I’ve always wanted to see more Jeanette MacDonald movies, I’ll definitely be tuning in a lot for her day.

The complete Summer Under the Stars schedule is available to be download here.

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The Real Hollywood Tough Guys (And Ladies)

In the 100+ year history of film, a lot of actors have wound up with tough guy images.  Mention tough guys to classic film fans, you’re probably going to hear a lot of James Cagney, Bogart, and Edward G. Robinson.  If you were to talk to someone more into modern movies, you’d probably get Jean-Claude Van Damme, Bruce Willis, and Vin Diesel.  Personally, I’d be hard pressed to call any of them the toughest actors of all time.  To me, I think the most unsung tough people in film history have got to be silent film actors.  Seriously, you  had to be pretty tough and fearless if you were going to make some of the most beloved movies from the silent era.  I’m pretty sure if anyone went up to Bruce Willis and told him to do some of the things that a lot of silent film actors had to do, he would say, “You have got to be kidding me.”  Now, let’s take a moment to appreciate what all these fine actors had to endure.

Harold Lloyd lost his thumb and forefinger when a prop bomb he was holding accidentally exploded.

Dolores Costello liked to refer to 1928′s Noah’s Ark as “Mud, Blood, and Flood.”  In the documentary series “Hollywood: A Celebration of the American Silent Film,” she recalled going to her dressing room on set one day and finding a very bandaged extra leaning outside of her door.  When she asked if she could help, he explained that an ambulance would come back for him since he was in better shape than most of the other extras.  A couple of extras were killed while filming the flood scene.

While filming the finale of Greed in Death Valley, director Erich von Stroheim insisted on actually filming in Death Valley.  In August.  Jean Hersholt had to be hospitalized after he lost 27 pounds from being in such extreme heat.

Lillian Gish’s hands really took a beating on sets.  While filming The Wind in the Mojave Desert, Lillian burnt one of her hands when she touched a doorknob in the 120 degree heat.  Earlier, when she was filming the famous ice floe scene in Way Down East, her right hand was permanently damaged from being left in the icy water for so long.

While making 1919′s Male and Female, Thomas Meighan carries a leopard that had recently killed a man in the zoo it was in.  Basically, Cecil B. DeMille said, “Hey, don’t put that leopard to sleep!  Let’s give it to Thomas Meighan instead!”  There is another famous scene in that movie of Gloria Swanson with real, live lions, which she insisted on doing herself.

And last, but certainly not least, there’s Buster Keaton.  I don’t think anyone loved doing stunt work more than Buster.  He insisted on doing his own stunts in all of his greatest silent movies.  Famously, he broke his neck while filming the water tank scene in Sherlock, Jr. but didn’t even know it until a long time after the fact.  The most famous scene of his entire career is probably from Steamboat Bill, Jr., where he stands in front of a house and the entire front side of the house falls down around him, but he happens to be standing where a window is.  That stunt involved a lot of precision because if his position was off by just a couple of inches, he would have been killed.  When Buster was signed to MGM, one of the things that upset him most was that MGM wouldn’t let him do his own dangerous stunts anymore.  And this is why I consider Buster Keaton to be the toughest guy to ever get in front of a movie camera.

My Top 100, 50-41

Another week, another ten movies!  Up this week: Jacques Tati, Marion Davies, and The Ramones.  No, really.  You’re not going to see that combination on any AFI lists!  We’re already up to the halfway point…

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What’s on TCM: October 2010

Happy Halloween!  Before we get to the TCM schedule for October, it’s time for a little site news.  To celebrate Halloween, I’ll be reviewing a different horror film every Wednesday this month.  I promise it will be a mix between some typical Halloween favorites and some more unusual choices, so be sure to check that out.

Now, back to the TCM schedule.  Since it’s October, I’m sure it’s not at all surprising that there will be tons of horror movies this month.  Every Friday night is a night of horror classics from Hammer Film Productions.  Fredric March is the star of the month, which I’m pretty geeked up for.  Every Monday and Wednesday night is Critic’s Choice night, where two notable film critics pick two of their favorite movies to play.  Some of the critics include Leonard Maltin, Roger Ebert and Mick LaSalle and they’ve made some pretty great choices.

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My Top 100, 80-71

It’s Friday again, which means it’s time to count down ten more of my favorite movies!  All I really have to say about this bunch of movies is that almost all of my favorite types of movies are represented here.  Silents, musicals, foreign, film noir, drama, comedy, they’re all there.  The only way this week’s bunch could be more ‘me’ is if I had worked in some offbeat B-movie in there somewhere.  Now, onto number 80…

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