Claudette Colbert

It’s a Wonderful World (1939)

It's a Wonderful World

After millionaire Willie Heyward (Ernest Truex) is accused of murdering his girlfriend, detective Guy Johnson (Jimmy Stewart) gets the job of defending him. Since there is so much evidence to suggest that Heyward is guilty, Guy tries to hide him until he can break the case. But then Guy gets arrested for hiding Heyward and is sentenced to a year in prison. Determined to prove Heyward’s innocence, Guy escapes on his way to prison. Since Guy was handcuffed to a police officer at the time, Guy has to knock him out to get away and poet Edwina Corday (Claudette Colbert) witnesses the whole thing. To keep her from talking, Guy kidnaps her and takes her car.

After hearing Guy’s story, Edwina insists on helping him prove Heyward’s innocence. The last thing Guy wants is to have Edwina tagging along, but despite his best efforts, he just can’t seem to shake her. Together they make their way to upstate New York where Guy believes he can crack the case by joining a theater troupe so he can do some undercover investigating. With help from his colleague Cap Streeter (Guy Kibbee) and Edwina, they manage to capture the real culprit.

I love Jimmy Stewart and Claudette Colbert, so there’s no way I could resist seeing a movie that stars both of them. I was certainly not disappointed; It’s a Wonderful World (not to be confused with Jimmy Stewart’s other, more famous film) was a real delight. If you’ve been reading this blog for a while now, you know how much I love finding those often overlooked movie gems and that’s precisely what It’s a Wonderful World is. It’s a great little screwball comedy that absolutely deserves to be more well-known. It may not be one of the best movies of either Colbert or Stewarts’ careers, but when you consider the careers they both had, even their second tier movies are still better than a lot of other actors’ best films. And you’ve got to see It’s a Wonderful World if only to see Jimmy Stewart wearing a ridiculous scoutmaster disguise.

The Outstanding Ensemble Cast of “Since You Went Away”

 

Since You Went Away Cast

There’s no way to talk about Since You Went Away without talking about how incredible the cast is as a whole. It’s one of those movies where virtually every actor who appears in it is extremely memorable. Lead roles, supporting roles, everybody makes an impact.

Since You Went Away Claudette Colbert

I’ve already talked a bit about how much I love Claudette Colbert’s performance in Since You Went Away, but her outstanding work doesn’t stop after the first scene. Claudette Colbert was initially hesitant to take the part of Anne Hilton because she wasn’t sure if she wanted to be seen as old enough to be the mother of teenage daughters. But fortunately, a nice salary and the assurance that she would be boosting audience morale were enough to convince her to take the part. Anne may have been old enough to have teenage daughters, but it gave Claudette Colbert to prove just how much range she had. She handled everything from being warm and maternal to uncertain and afraid without missing a beat.

Jennifer Jones Robert Walker Since You Went AwayCasting actors who are married to each other to play a young couple in love hardly seems like a stretch. But if Jennifer Jones and Robert Walker’s relationship was ever like Jane and Bill’s relationship, those days were long behind them. By the time they made Since You Went Away together, Jones and Walker’s marriage was essentially over. They had separated in late 1943 and would be divorced a year after the movie was released. But their ability to put personal issues aside for the sake of the movie is extremely impressive and a testament to their talent. Their rapport is so strong and they made such a believable couple, I was very surprised to find out Jones and Walker were actually on the verge of divorce at the time.

Since You Went Away Shirley Temple

When she appeared in Since You Went Away, Shirley Temple, then 16 years old, hadn’t made a movie in two years. Although Shirley Temple is most widely celebrated for her work as a child actress, she proved to be more than just a cute kid in Since You Went Away. Temple gave Brig such a wonderful natural charm without being over-the-top precocious. All of the cast had great chemistry together, but I particularly love Shirley Temple’s scenes with Monty Woolley. The friendship between Brig and Col. Smollett never fails to warm my heart.

Since You Went Away Shirley Temple Monty Woolley

While Shirley Temple is associated with sweetness and light, Monty Woolley had the opposite screen image; best remembered for playing the acerbic Sheridan Whiteside in The Man Who Came to Dinner. Monty Woolley certainly had plenty of chances to do what he did best in Since You Went Away, but Col. Smollett is a character that let him show some softness as well. It’s a very well-rounded role that let him show how much talent he really did have.

Since You Went Away Agnes Moorehead

Agnes Moorehead plays Emily Hawkins, Anne’s snobbish friend, and boy does she ever excel at playing someone you love to hate. I tend to think of Emily as being like Sylvia Fowler: The War Years. Her haughty attitude, back-handed comments, and wardrobe would certainly make Sylvia Fowler proud. But while Sylvia Fowler is a total caricature, Emily Hawkins feels like someone you could actually meet, which makes the scene when she gets taken down a peg one of the best of the movie.

Since You Went Away Hattie McDaniel Joseph CottenJoseph Cotten was a perfect fit for the role of Tony, the handsome, charismatic friend of the Hilton family. It’s certainly not hard to see how someone like him would be so alluring to young ladies like Jane and Brig. I absolutely love his scenes with Claudette Colbert. Even though there is clearly an attraction and a little bit of history between Tony and Anne, Joesph Cotton never plays Tony as someone who is out to steal his friend’s wife. But there’s just enough of a spark to leave the audience wondering if they’re going to wind up together at the end of the movie.

Last, but certainly not least, there’s Hattie McDaniel.  Simply put, Fidelia is a classic Hattie McDaniel role. She got to do everything that made her so likable.

“Since You Went Away” and the Importance of an Effective Opening Scene

One of the most important things a movie can have is a strong opening scene.  A good opening scene can tell the viewer a lot about characters or explain long backstories in a matter of minutes. Just think of the first scene from Gone With the Wind. In two minutes, we get a sense of what Scarlett was like before the war and find out she has romantic feelings for Ashley Wilkes. Opening scenes can also set the tone for the rest of the movie; The GraduateBonnie and Clyde, and Gold Diggers of 1933 are prime examples of that. But 1944’s Since You Went Away is a movie that uses its opening scene to its full potential. It does everything an effective opening scene should do.

Since You Went Away Opening Scene

Since You Went Away opens with a shot of the Hiltons’ home before progressing to a tighter shot of a window with a service flag displayed in it. Clearly, the family that lives here has a loved one serving in the military. From there, we look inside the Hilton home with the camera moving from an empty, well-worn chair with the family dog laying forlornly in front of it to a calendar, a telegram, and the box for a rush delivery of military raincoats.  The telegram, which orders Captain Timothy Hilton to report for duty on January 12th, is dated January 6th. This family’s world was turned completely upside down just a few days earlier.

Since You Went Away Opening Scene

From the telegram, the camera continues moving around the room, revealing that Tim and Anne (played by Claudette Colbert) were married in 1925 and have two teenage daughters (played by Shirley Temple and Jennifer Jones.) Then we’re back to the window we started at, through which we see a car pull up and Anne walking to the door.

Since You Went Away Opening Scene

When Anne gets inside the house, she enters with the weight of the world on her shoulders. This is her home, but it’s different now. This is my favorite acting moment from Claudette Colbert; as she walks through the house, alone, trying to come to terms with her husband’s absence and grappling with uncertainty about whether or not she could face life without him.  Anne’s inner monologue tells us, “This is the moment I’ve dreaded: coming back to our home, alone.” There’s no over-the-top melodrama to be found here. Claudette Colbert impeccably conveys this feeling with her body language and a glint of a tear in her eye. The subtlety of her performance makes this scene so much more emotional than something more dramatic would have been.

Since You Went Away Opening Scene

Anne isn’t alone in the house for long, though.  Just as Anne is about to lose her composure, her daughters Jane and Brig come home and Anne finds her strength again. Jane and Brig are handling their father’s departure in different ways and there’s a lot of uncertainty in their lives right now, but one thing’s for sure — this is a family that will be drawing a lot of strength and support from each other in the near future.

Since You Went Away Opening Scene

The Sign of the Cross (1932)

Sign of the CrossAs Nero (Charles Laughton) watches Rome burn, he blames Christians for starting the whole thing rather than admit he started it.  Nero’s accusation places all Christians in Rome in great danger.  When Titus (Arthur Hohl) and Flavius (Harry Beresford) publicly admit to being Christians, they are arrested.  But when fellow Christian Mercia (Elissa Landi) tries to defend them, Marcus (Fredric March) sees her, instantly falls in love, and helps save Titus and Flavius.

Marcus is being romantically pursued by the empress Poppaea (Claudette Colbert), and when she hears that Marcus has fallen in love with a Christian woman, she becomes extremely jealous.  This places Marcus in a precarious position because not only does Poppaea want Mercia dead, Marcus’ rival takes the opportunity to try to push him out of favor with Nero.  Marcus does everything in his power to seduce Mercia, but there is nothing that can take distract her from her faith.

When all the Christians in Rome, including Mercia, are gathered to be fed to lions for a large crowd’s entertainment, Marcus fights until the very end to save her.  Just before she is to go into the arena, he begs her to renounce her faith to save herself, but she refuses.  Finally, Marcus decides he would rather die in the arena with Mercia than live without her.

The Sign of the Cross is, without a doubt, one of the most completely depraved pre-codes you’ll ever come across.  With Claudette Colbert’s infamous milk bath scene, hedonistic party scenes, revealing costumes, and some rather gruesome moments all mixed together with a message about religious persecution, it’s easy to see why The Sign of the Cross caused quite a commotion.  It’s frequently cited as being one of the movies that drew such a strong reaction from religious groups, it helped usher in the strict enforcement of the production codes.  Even though the movie is actually sympathetic toward Christians, religious groups couldn’t stand Cecil B. De Mille taking stories with religious themes and filling them with so much depravity.

When Sign of the Cross was re-released after the production codes were being strongly enforced, it took quite a bit of work to make it follow the code.  Several scenes had to be cut and in 1944, De Mille filmed a modern-day epilogue and prologue to frame the original movie.  Fortunately, the cut scenes were not lost and have since been restored.

Sign of the Cross isn’t my favorite De Mille movie (that title would go to Cleopatra), but I can’t deny that this movie is completely and totally De Mille’s style.  It’s big, it’s lavish, it’s over the top, it’s everything you expect from a Cecil B. De Mille movie.

Paramount in the 1930’s

Times were tough for just about everyone during the 1930’s, including Paramount Studios.  In the early 1930’s, Paramount was on the brink of financial disaster and with the Great Depression, audiences needed darn good reasons to spend what money they had on movie tickets.  Paramount was facing some pretty tough competition, too.  MGM had Greta Garbo, Clark Gable, and Joan Crawford;  Warner Brothers had their gangster flicks and Busby Berkley musicals.  But Paramount rose to the challenge and created some of the most definitive movies of the decade with some of the best talent in town.

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What’s on TCM: September 2012

Happy September, everyone!  I hope you all enjoyed this year’s edition of Summer Under the Stars.  One good thing may be coming to an end, but fear not, there are some very, very cool things to look forward to in September.

Silent film fans, rejoice!  Every Thursday night this month, TCM will be spotlighting movies produced at Mack Sennett studios, which means there will be tons of silent films being played during prime time.  83 short films will be included in this tribute, the vast majority of which have never been shown in TCM before, and will feature stars  such as Charlie Chaplin, Mabel Normand, Fatty Arbuckle, and Gloria Swanson.  I, for one, am very excited for this!

Lauren Bacall is the Star of the Month and every Wednesday night in September will be full of her movies.  September 3rd will be TCM’s annual tribute to the Telluride Film Festival

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Cleopatra (1934)

After being kidnapped and forced out of Egypt, left to die in the desert, Cleopatra (Claudette Colbert) turns to the only person she knows can help her — Julius Caesar (Warren William).  She makes her way to see Caesar and just as he is about to officially support her brother Ptolemy over Cleopatra, she makes her grand entrance, unfurled from a rug.  She knows how badly Caesar wants to conquer India, and to make it worth his while to help her, she promises him that he could use Egypt to make his way to India.  Caesar still doesn’t quite trust Cleopatra, but she manages to prove her loyalty to him and seduces him, starting a very passionate affair.  Caesar’s affair with Cleopatra becomes the talk of Rome and has some people very worried for what it could mean for Rome’s future.  When Caesar brings Cleopatra to Rome, those close to him beg him to end things with her, and he ignores them and carries on with his plans to address the senate.  But some people, desperate to save Rome from Caesar and Cleopatra, kill him before he can get to the senate.

With Caesar gone, Marc Antony (Henry Wilcoxon) and Octavian (Ian Keith) are named Rome’s new rulers and it is Marc’s responsibility to avenge Caesar’s death by killing Cleopatra.  He arranges a meeting with Cleopatra in a public place so that his soldiers could ambush her, but she knows better.  Instead, she has Marc join her on her barge, where she plans to win him over with food, liquor, jewels, and dancing girls.  She seduces him and the two of them also begin a passionate love affair.  Meanwhile, back in Rome, Octavian has officially declared Marc a traitor and sends King Herod to Egypt to tell this to Cleopatra.  He also has Herod tell her that if she kills Marc herself, Rome will be friendlier to Egypt.

Cleopatra doesn’t want to kill Marc, but some of her advisors recommend that she do it for the good of Egypt.  King Herod also warns Marc of his traitor status and Marc naturally starts getting nervous when he hears that Cleopatra is testing out poisons on prisoners to be executed.  And although she does plan to poison his wine at a dinner she throws for him, they find out that Rome has declared war on Egypt before he has a chance to drink it.  He goes off to fight with the Egyptians and is defeated.  Cleopatra rushes off to offer Octavian all of Egypt in exchange for Marc’s life, but Marc assumes that she is turning her back on him and stabs himself.  Cleopatra returns in time to find him still alive and explains what she has done, but he soon dies in her arms.  With Marc gone and the Romans breaking down the gate to the palace, Cleopatra decides to end it all with a snake bite.

I believe it was Cecil B. DeMille who once said that if a movie set in a biblical or historical setting, you can get away with anything.  His rendition of Cleopatra is proof of that.  This would be an excellent movie to show to someone who thinks classic movies were all so innocent.  With all of Claudette Colbert’s skimpy costumes, her handmaidens in equally skimpy costumes, adultery, murder, and all sorts of other debauchery, their jaws would be hitting the floor so fast.  Cleopatra was released near the end of the pre-code era, and what a way to end an era!  I don’t even particularly like historical dramas, but I thought this version of Cleopatra was fantastic.  With all the crazy debauchery and the big battle scenes, Cecil B. DeMille was so completely in his element here.  This movie needs to be seen to be believed.

The Smiling Lieutenant (1931)

Niki von Preyn (Maurice Chevalier) is a Lieutenant in the Austrian Royal Guard.  One night, Max (Charlie Ruggles) asks Niki to join him at the beer garden to see Franzi (Claudette Colbert), a violin player, perform.  Even though Max is married, he’s got a thing for Franzi and thinks that having Niki along will make their date seem more legitimate.  But as soon as Niki sets eye on Franzi, he instantly falls in love with her and convinces Max that she is all wrong for him so he can have her all for himself.  Niki and Franzi’s relationship turns very passionate very quickly.

A wrench gets thrown into their relationship when the King of Flausenthurm and his daughter Princess Anna (Miriam Hopkins) come to Vienna.  Niki joins his fellow soldiers for their procession into town and Franzi watches on across the street from Niki.  Niki can’t resist giving Franzi a smile and a wink, but he does it just as the King and Princess Anna pass by.  Anna notices and since she isn’t the prettiest princess ever, assumes Niki is mocking her.  The incident makes all the headlines and when Niki is brought in to be disciplined, he tries to get out of this mess by saying that he was just so in awe of Anna’s beauty that he couldn’t help himself.  Flattery will get you everywhere with these royals and all is forgiven.  In fact, the King even arranges it so that Niki will be close to them for the rest of their visit, much to Anna’s delight.

Niki continues to secretly see Franzi, but Anna has developed very strong feelings for Niki.  In fact, she even goes as far as getting permission to marry him.  When Niki finds out about this, he is shocked and can’t figure out a way to get out of this mess.  With his relationship with Franzi now over, he goes ahead with his marriage to Anna.  But Anna is so uptight, dowdy, and dull that when he finds out that Franzi is in town, he starts seeing her again secretly.  When Anna finds out about this, she is very upset and wants to meet with Franzi.  Although Anna initially wants to kill Franzi, she realizes that Franzi would be a great person to get advice from on how to make Niki happy.  The two of them end up hitting it off and Franzi gives Anna some tips on modernizing her look and their visit ends with them singing a song called “Jazz Up Your Lingerie” together. Franzi’s advice proves to be a big success and Anna and Niki live happily ever after.

The Smiling Lieutenant is another one of those delightful Ernst Lubitsch pre-codes.  Super stylish, sophisticated, witty, and well acted.  The whole movie is so much fun to watch, but it’s worth seeing if only for the wonderful scene where Anna goes to confront Franzi, the sing their song, and Anna has her makeover.  It’s just so outrageous in the best possible way.  This is the kind of thing you could only get away with in the pre-code era.  Claudette Colbert and Miriam Hopkins are such a riot together!  I love Miriam Hopkins in just about anything, but she was never better than when she was in Ernst Lubitsch comedies.

Without Reservations (1946)

Kit Madden (Claudette Colbert) is one of the most celebrated writers in America.  Everyone is talking about her novel “Here is Tomorrow” and it’s in the process of being turned into a movie starring Cary Grant and Lana Turner.  But just as she’s about to get on a train to California, she finds out Cary Grant isn’t able to do the movie after all.  Even though the producer thinks they should try to find an unknown actor to take his place, Kit had her heart set on Cary Grant.  She thinks nobody else could play that part better, until she looks up and finds herself sitting across from Rusty (John Wayne) and Dink (Don DeFore), a couple of Marines.  She realizes that Rusty would be a perfect choice for the movie.

She strikes up a conversation with Rusty and Dink and really hits it off with both of them.  There’s just one little problem — they’ve read her book and aren’t as fond of it as everyone else is.  So she tells them her name is Kit Klotch, tries to defend her book, and sends a telegram to the producer to tell him she’s found someone to take Cary Grant’s place.  While at a stop in Chicago, she gets word back saying that she should stay with Rusty and Dink.  But when she tries to keep up with them, she misses her train and loses her baggage.  When she gets on Rusty and Dink’s train, she has to pretend she’s lost her ticket and has to ride in the coach section.  But Rusty and Dink have her join them for dinner in the dining car and the three of them have a grand time. At least they have fun until Kit is accused of stealing another woman’s orchid and she gets thrown off the train.  But by then, she, Rusty, and Dink have become so close that they get off the train with her.

The three of them start walking and keep on walking until they meet someone with a car they’re willing to sell.  Kit buys the car and they start driving to California.  At one point, they stop, and Rusty comes onto Kit.  Kit is caught a little bit off guard by this and Rusty is hurt by her reaction.  But when the car starts overheating and the three of them have to stop at a ranch, the rancher’s daughter immediately takes a shine to Rusty.  Kit can’t stand seeing Rusty with another woman, so she tells the rancher that Rusty and Dink aren’t really Marines and their uniforms were stolen so that he would make them leave.  As they leave the ranch, Kit admits what she’s done, but surprisingly, Rusty and Dink aren’t mad.  In fact, Rusty is happy because she’s finally admitted her feelings for him.  Later when they need a hotel, Kit secretly tries to use her famous name to get them a room.  But when someone notices a newspaper article that had erroneously been printed early saying that Kit was in Hollywood that day, she winds up in jail.  When her movie’s producer comes to bail her out, Rusty and Dink find out who she really is and why she started following them, and Rusty wants nothing to do with her.  Kit and Rusty go their separate ways, but eventually, he decides he doesn’t want to be away from her anymore.

When I saw that Without Reservations involved John Wayne in a Claudette Colbert comedy, I was definitely intrigued.  This seemed so different from how I typically think of John Wayne that I couldn’t resist checking it out.  I certainly wasn’t disappointed, though.  Without Reservations is such an adorable movie.  Now those are words I never thought I’d find myself saying about a John Wayne movie!  Claudette, John, and Don DeFore made a great trio and were simply delightful to watch.  With a lesser group of key players, this movie probably wouldn’t have been as enjoyable.  And it was fun watching for cameos from Jack Benny, Mervyn LeRoy, Raymond Burr, and Cary Grant.  I’m always happy to see Cary Grant pop up in a movie, even if it is only for a minute!  It’s a great movie, I’m definitely glad I decided to watch this one today.

What’s on TCM: August 2011


It’s that time of year again!  Let Summer Under the Stars commence!  I love this year’s line-up.  Even though there are plenty of the usual SUTS suspects like Bette Davis, Cary Grant, and Jimmy Stewart, more than half of this year’s stars have never been part of SUTS before.  And many of those who have been featured before, haven’t been featured in quite a few years.  Let’s take a look at the full list of stars:

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